Luca Andreoni – The reverse projection

Photography originates from the perspective machine and retains its mechanical structure. However, the images produced are the result of a relationship between the world and the observer, which is accomplished in the darkness of the camera obscura. That’s why photographs, unlike the instrument that produces them, are ambiguous images, a product of a meeting and not mere extraction of a frame from a sequence. The talk aim to outline some aspects of the influence of the presence of the photographer, from biographical and personal to the historical and intellectual aspects.

Planar has the pleasure to host one of the members of its scientific committee, proposing – in a riveting lecture / dialogue – an interesting excursus from history of photography to the personal  photographer’s point of view.

Luca Andreoni starts his photographic career in the eighties, he led an isolated research deeply influenced by the American landscape photography: Robert Adams, Lewis Baltz, Stephen Shore. In 1995 he took part in the project “Archive of Space” promoted by Provincia di Milano. The years between 1994 and 2006 were marked by his artistic alliance with Antonio Fortugno; he then ventured onto a solo career. His rigorous work is well known in the world of photography and contemporary art and many prestigious institutions have requested his participation in important exhibitions and publications.
MART in Rovereto, Fondazione Fotografia Modena, Triennale di Milano, Centro per l’Arte Contemporanea Luigi Pecci, Ursula Blickle Stiftung in Kraichtal (D), Galleria Civica di Modena,  Venice Architecture Biennale, Fondazione Sandretto Re Rebaudengo in Turin and others. His work is represented in major public and private collections, such as Deutsche Bank Art Collection Italy, Fondazione Fotografia Modena, Museo della Fotografia Contemporanea of Cinisello Balsamo, MA * GA, Museo Arte Gallarate (VA), Rebaudengo and others . Teaching activity: from 2013 is professor of photography at the Accademia di Belle Arti G. Carrara in Bergamo. Since 2009 Guest Professor at the Master in Photography and Visual Design organized by Forma in collaboration with NABA, Milan. Since 1990 he also teaches at Scuola di Specializzazione in Beni Storico Artistici Università Cattolica Milano . He has held seminars of the History of Photography at the University of Insubria and courses at the Accademia di Belle Arti in Bologna and at the Accademia di Belle Arti Aldo Galli Como. Workshops: Fondazione Fotografia Modena, Fondazione Forma per la Fotografia.  Since 2008 is following a residence for young artists in Valle D’Aosta.

May 22nd 7.00 pm to 9.00 pm